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Born in Boston, Massachusetts in 1868, William H. Bradley was already working as a printer by the time he was 12 years old. A man of many talents, he worked as a wood engraver, typographer, publisher, editor, illustrator, poster artist, type designer, book artist, film art supervisor, designer, and he even designed several family homes.
Often compared to Aubrey Beardsley, Bradley developed a style that drew from the Arts & Crafts movement and William Morris, Japanese woodblock prints, and he is often credited with developing and popularizing the Art Nouveau style in America.
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He had wide influence as a poster designer, but also did numerous magazines covers for Collier’s, Good Housekeeping, the Inland Printer, and others. He became a consultant to the American Type Founders, designing type faces (among them Wayside Roman, Missal Initials, Bewick Roman, and others) and he also edited and wrote for their The American Chapbook.
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In 1915 he went to work for William Randolph Hearst, among other things serving as art supervisor to a series of Hearst-produced films, and subsequently acting as head art supervisor of the Hearst empire of magazines and newspapers.
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Much of Bradley’s illustrative work is done in strong black-and-white images, flat tones, and with the fluid and nature-inspired lines of Art Nouveau. His artwork is as much appreciated today (if not more) than it was 100 years ago.
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In 1954, the AIGA (American Institute of Graphic Arts) awarded Bradley a gold medal, the highest award for a graphic artist. He died in 1962 at the age of 94.
1 comment:
!!! great.
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